Anna Caterina Antonacci
Anna Caterina, a soprano who has been deemed to be among the most outstanding of her generation, has been awarded the highly coveted Voci Verdiane Callas Competition and Pavarotti Awards. Her achievements have been recognized with the title of "Chevalier de l'Ordre national de la Legion of Honour' by the French Republic, which is the most distinguished national honor one can receive. Era la Notte on the Naive Label was well received. With piano player Donald Sulzen she also recorded L'Alba separa dilla lumi l'ombra, which features Tosti cilea and Hahn. Anna Caterina was elected one of the Accademici Effettivi by the distinguished panellists from the General Assembly of the Academicians of Santa Cecilia in 2021. Anna Caterina is currently performing her role of Madame de Croissy from Poulenc's Dialogues des Carmelites as part of the Emma Dante production at Teatro dell'Opera di Roma. The following year, she'll reprise her role in the Bayerische Staatsoper. Anna Caterina Antonacci was born in Italy. She is recognized as an Italian Soprano who is a performer of belcanto, baroque as well as other repertories. She performed as mezzo-soprano over a number of years, particularly performing the Rossini canon. Anna Caterina Antonacci's height is not now available for her 62 years old. Anna Caterina Antonacci Body measurements Hair color, eye color, and colour will soon be updated. The actress is single. She is not dating anyone. It's hard to find out about her past and whether she has ever been married. According to our databases, she's not had children. Her net worth will grow rapidly in 2022-2023. Anna Caterina Antonacci is now the age of sixty-two. Anna Caterina Antonacci earns most part of her earnings from being successful. Anna Caterina Antonacci (born 5 April, 1961) was an Italian soprano known for roles in the bel canto and Baroque repertories. Mezzosoprano Antonacci specialized in Rossini's canon for many years. Antonacci who was educated in Bologna began her Arezzo d but in 1986. She was profiled at length in the New York Times in March 2012.






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